Wes Anderson. Dogs. Stop-motion. That is all you need.
After the dog population in the city of Megasaki reaches its peak, the mayor orders the deportation of all dogs to a waste disposal island. Desperate to see his dog Spots again Atari, the adoptive son of the mayor, flies to the island to get him back.
I have said before that execution informs originality. We have reached a point in storytelling where all narratives are essentially repeats of each other. The way we are able to differentiate one story from another is how we tell them. Christopher Nolan put a realistic crime-drama spin on Batman. Son of Saul was a Holocaust story shot entirely from behind a man in Auschwitz. Sicario was a Drug War thriller in the guise of a suspenseful horror movie. All these stories have been told before, but we remember them because of how they were told.
It is impossible to forget a Wes Anderson film. Even if you hate the guy, his work will remain at the back of your mind because his style is so unique. His precision and attention to detail is unparalleled. The sets, cinematography, and editing have this character that defines Anderson as an artist, and it has been there since his rise to notoriety. Moonrise Kingdom, Royal Tenenbaums, and Grand Budapest are wholly distinct and you will never forget them.
Isle of Dogs is Anderson on steroids. Given the medium, he has complete control of how everything looks including the props, characters, and sets. His technical signatures make the transition with plenty of tableaus, wide static shots, and humorous editing all present and accounted for. Isle is pure auteur cinema and the only limit was Anderson’s imagination.
More importantly, the movie is entirely handcrafted. Stop-motion is the pinnacle of cinematic art. One minute of footage can take hours of coordination and posing by animators and Isle is 101 minutes long. The faces of the characters, which were hand sculpted, had to be changed for every expression and the individual strands of dog hair had to be pressed in. The art form alone makes Isle worth your consideration, as well as any other stop-motion film. Seriously, give these movies your attention.
Again: Wes Anderson. Dogs. Stop-motion. Go see it. However, Yoko Ono voices a minor character. If you like the Beatles, that may be a problem.